#Star wars the old republic romance series

The reluctant fans, as we should call them, are the ones for whom the nostalgia hits home the most.

The most crucial section of the ABBA audience today will be those who mocked them in their prime and have over time found that the band has had a lot more substance than it has been given credit for. While their digital theatrics might play to the interests of the younger generation of music lovers, those who have been their most ardent fans find themselves curious about the new music more than the concerts. Once again, ABBA have found a way to evoke awe and awkwardness in equal measure. Slated for the summer of 2022, these virtual concerts are a creation of Industrial Light and Magic, founded by Star Wars creator George Lucas.

#Star wars the old republic romance series

Once again, we find ourselves observing their comeback with cynicism because this time - along with their new music - we also have to contend with the New Age but creepy 'Abbatars.' The release of their latest album Voyage will lead to a series of virtual spectacles where realistic VFX versions, of the band members that have perfected their every move and note, will mesmerise their fans.

It has been 40 years since their last album release, and the Swedish band are now back with an updated, yet nostalgic form of their music. They are the first group from a non-English-speaking country to achieve consistent success in the charts of English-speaking countries, including the US, the UK, Republic of Ireland, Canada, Australia, New Zealand, and South Africa. That ABBA just could not care about what costumes, what tunes, what music tech or what moves were perfect for the mood of the time, contributed significantly to their popularity. It is another matter that ABBA took its identity to a direction hitherto unknown - a composite of the best in pop musically, glam rock sartorially, and classic rock attitudinally - and rolled with it in a manner that had not been seen until they came along. The Swedish bandвЂ™s staggering and continued legacy finds roots in the fact that even at the peak of their prime, it was not cool to love ABBA.В Why? Because the custodians of rock and its various offshoots did not think so. They, of course, had just not bargained for ABBA. Given all the social and societal confines that rock has attempted to knock down, one would imagine its supporters would be more welcoming of anyone else doing the same. Even today, these stand the test of time, taking the sounds to newer and younger pastures even if rock is not as much a staple today as it was back in the day. Without a doubt, we must give credit where it is due: the music scene of the 1960s and '70s was so rich in the experiments of rock nвЂ™ roll, blues, and soul that it spawned generations of sub-genres. This is particularly and deliciously ironic given that rock, as a genre, has built its entire raison dвЂ™etre on questioning anything that is the norm or worse, snobbish. In the entire universe of modern music fans, there can be no greater elitist or stuck-up breed of music lovers than those of classic rock.Д«eing one myself, I would have you know that I am well within my rights to call them/us out for being exactly what this music derides: self-proclaimed authorities with blinders on.

In #TheMusicThatMadeUs, senior journalist Lakshmi Govindrajan Javeri chronicles the impact that musicians and their art have on our lives, how they mould the industry by rewriting its rules and how they shape us into the people we become: their greatest legacies